At the end of my first year of university, I was having a bit of a rough time. I’d had very little sleep. I’d just told someone how I felt about her and been unrequited. I wasn’t sleeping (completely self-inflicted) and had fallen asleep during an exam. It was a low point.
In fact, it really wasn’t a low point. I’d had a great year. But being out of home for the first time, I’d gone a little bit mental at university. Sleep and study were secondary to booze and this wonderful new thing called “The Internet”. By the end of the year I was at the end of my tether and was completely strung out, emotionally.
The Internet was new and wild (bear with me, I’m getting back on track), mainly text-based and incredibly addictive. We were learning to program. We were discovering how to interact with other systems and other schools. We all had online personalities in an age before online personalities were mainstream. We were talking to people in other countries and other universities. The world had opened up and I wasn’t planning on missing any of it.
Side bar: When I first found out about the Internet, our mentor Fiona took us to a computer room where dozens of students were “online”. A number of them were playing a MUD – a Multi-User Dungeon. It was called Discworld, and as I watched over one guy’s shoulder, he chatted freely with people in a number of different countries, all trying to solve a quest and making random conversation. Each sentence ended with a colon and a right-bracket.
“Is that some sort of sign-off thing?” I asked. The guy looked at it in puzzlement for a while, then laughed and told me to turn my head to the side. Thus I was introduced to the smiley. And its overuse. Oh, and incidentally, to the Discworld. It all comes together.
Back to the narrative and the slow trundle towards a point. Using a tool called ytalk, I was chatting with a girl called Haggis, who went to uni down in Melbourne at La Trobe. We’d arranged to meet up during exam week. She arrived in the middle of this low point. I was lying on my bed, my friends were making commiserative noises. I really didn’t want to see anybody. And probably wasn’t in the right frame to meet this girl I’d been chatting with online.
She came in, realised I was upset, reached into her bag and stuck a cassette tape into my tape player:
And my life was changed forever.
I’ve never been so instantly cheered up as I was by that song. Lorraine’s (that’s Haggis’ real name) tape contained a number of songs from a few different albums, including Shoehorn with Teeth and of course Lighthouse in your Soul. It was a mix tape, and I still have my copy of it hiding somewhere in the house. It has been chewed up and wound back in. It has been taken apart and replaced in a different cassette tape case. And it was the beginning of an obsession that would only be rivalled by Red Dwarf and Terry Pratchett.
They Might Be Giants have been a major influence on my life. They sing in a manically cheerful fashion, even as they talk about skeletons and people’s heads falling off. They have been used in Tiny Toons animations,
wrote the theme song for Malcom in the Middle,
did the sound track for the Power Rangers movie and Coraline…
And they’re back in Australia for the first time since I came back from Japan in 2001.
When we found out that they’d be coming back to tour with Nanobots, the Facebook messages went wild. We had the option of going to see them at Groovin’ the Moo in Bendigo, or at the Corner Hotel in Richmond.
“A true fan,” you say, “would do both!” Which is true. But a true fan, with a child and a mortgage, has to choose. So we chose the Corner Hotel. One night only, when we bought the tickets. Since then, a number of new shows have popped up.
I’ll transcribe this later:
I was introduced to the Whitlams through They Might Be Giants. They supported TMBG at one of their shows, before No Aphrodisiac shot them to stardom. They also gave me The Lucksmiths, although they didn’t ever really rocket, so much as saunter gently upwards and out of sight.
We went to the Factory Showroom tour, still raw from my breakup with Cath. As an act of revenge I picked up a girl who was only there to see the support act.
When I came back from Japan, TMBG were doing their Mink Car tour. I even left Japan a few days early so that I wouldn’t miss the concert. We rocked up to the concert with pink letters on our forehead. At the end of the show, they announced that they would be performing a rare Flood show – the entire album from start to finish – on the following night. We left the concert, jumped online and bought tickets to the following night.
The number of nights my friend Shay and I would lie under the trees outside the Kyabram Fauna park, singing Whistling in the Dark and other TMBG classics.
They Might Be Giants have been the soundtrack to my life, from the end of my first year of university until pretty much the present day. Having said that, and in all honesty, I am no longer even in the slightest bit obsessed with them. The last couple of albums have had a couple of catchy songs and a couple of very thoughtful songs. They still know how to put together an album. But they’re not going to bring me instantly out of a depressive funk as they used to do. And I didn’t go to Groovin’ the Moo as well as the Corner Hotel. I didn’t buy the new album as soon as it came out. And I don’t have a t-shirt that still fits.
My iPhone signature still says “I don’t want the world, I just want your half.” I can still sing Flood from start to finish (and sometimes this happens in Greek restaurants late at night). But I don’t have the energy to get as excited about them as I used to. Or they aren’t providing me with the songs to get excited about. I was going to end the blog saying: “Either way, it was fun, but the love affair is over.” And then I went to see them love and a little fire rekindled inside my heart. I’m still a fan.
And we’ll always have Istanbul (not Constantinople).