Finding Damo

The story of a man, his job, two cats and the meaning of success.

Archive for the category “writing”

Dream a Little Dream of Me. Or badgers. Or Superman.

dreams are strangeCorey Feldman had it good. His character in Dream a Little Dream ran all over his dreamscape, giving out good advice and saying “Heh” a lot. He didn’t have to worry about the streets changing from moment to moment, or giant rats staring at him until he woke up screaming.

Some people are already thinking “dammit. I blog about dreaming. I’m outa here.” And that’s fine. The blog is called Finding Damo, not “Keep everybody entertained all the time”. And one of the things that has consumed my life and fed my imagination since I was a young boy has been my dreams.

Luke, I am your father!

Luke, I am your father!

I have sleep apnoea. I can’t spell it but I have it. I’m not sure when it started, but by the time I was living in Rosebud, it was getting out of control. I was only getting one or two hours of sleep a night, as I would stop breathing when I fell deeply enough asleep which, luckily, woke me up again. It was terrible. I was always tired. I fell asleep in meetings, and when driving.

And I dreamed. A lot.

dream diary lock

If you can open it, you can read it.

Two of my favourite presents ever were given to me by girlfriends. The first was when I was in Japan. Kallie gave me a dream diary. She’d decorated  the inside front cover. The book had a lock and was just awe-inspiring. It wasn’t just a Spellbox book or anything. I’m not sure where she found it, but the book, and the lovely inscription on the inside blew me away. A couple of months later, in an argument, she ripped out the lovely front page and took the book back. Which is why I’m not dating her any more. That amongst other things. But at the time, WOW.

The second was a box to keep my (new) dream diary in. I’d replaced the original with a Spellbox dream diary. Not as impressive as the original, but still, with a nice locking mechanism and decent paper for writing. Melanie made the box for me from scratch. Varnished it, and burnt a design into the top. Now the diary had a home. It was an exceptional achievement and I still love it.

dream diary box

Long before the dream diary, I still wrote down my dreams. I had a yellow notepad that I wrote a lot of dreams into. I even wrote a program in Perl when I was working at Racing Victoria, to catalog the dreams by theme and add more in as I had them. And yes, I had them. Every night was a plethora of images, whizzing through my head. I started writing them down as my conviction that what I dreamed was coming true. So many times I would experience a conversation and say “Wow. I dreamed that!” So, to prove it to myself, I started writing them down, so that I could come back to them when I had that experience again.

I’ve never experienced a moment that I have written down in my dream diary. Bummer.

One that could come true, after my last post:

werewolf dreamBut I’m getting ahead of myself. And the rest of this post is pretty much just an explanation of the dreams I’ve had, how they fit into my life, and what meaning I feel that they had/have. So I’m serious. If you hate being told dreams by your friends, even if they have pictures attached, you probably don’t need to read any further. I’m not going to get overly philosophical. I just want some of this out of my head and out onto a blog. Call it selfish and indulgent, I can handle that. I promise I’ll be more interesting next week.

Here’s the first page (all images clickable for better views):

front page

As it says here, the greatest part of my dreamscape was a place I dubbed Alternate Kyabram. I grew up in Kyabram. I lived in Heathcote, Redesdale, even Canada during my formative years, but from 1983 until 1992 I was in Kyabram. I delivered papers, I explored the back streets with my friends. I imprinted the town onto my brain like a mental brand. And as much as I tried to get away from the place, when I slept, I was back there.

There were a few changes. And streets didn’t always go to the same places. I also dragged in my grandparents’ places from Castlemaine and Kyneton, although sometimes they were the same place. And as I spent more time in Melbourne, there were roads to the city from my little country town.

Here’s the map, and a legend:

dreamscapelegend to dreamscape

here be dinosAs my dreaming was so vivid, I did a lot of reading about it. I tried to convince myself that dreaming was something special. I dream in colour, which is supposedly a sign that you are creative. I have attempted lucid dreaming and astral projection, all after reading about them in books (with no luck, sorry to say). I’ve looked at the meanings of different symbols in dreams. For example, shops and shopping centres are supposed to be a reflection of your subconscious. Next time you dream about being in a shop, take a look at what’s on the shelves. On second thoughts, for some of us, it’s better not to look too closely.

My shop’s shelves are usually filled with books, magazines and toys. What does that say about me?

I really don’t want to go on and on about this. I just wanted to whack up a few fragments. The dreams in the diary start from 2001. There are some transcribed from long before then. The last one is in 2009. When I started using the CPAP machine, my sleep was completely dreamless. I slept solidly from the time my head hit the pillow until I was woken by the alarm clock. By the time my body started to even out and my subconscious started forcing dreams upon me again, I was out of the habit of writing them down. I dream a lot more now, and probably should write them down in the marvelous dream diary once more. But I think that phase of my life is passed now.

This is its eulogy:

click for more.

 

part onepart twopart three

random nightmare

IMG_1119

IMG_1123

It is self-indulgent. I’m not seeing anything that would be interesting to anyone else. I’m going to stop now. Dreaming is an incredible invention of the human race. The number of stories I’ve sucked out of a dream… and then thrown away because basically dreams make absolutely no sense! I have, however, had a couple of dreams that have turned into quite interesting stories. And of course, there is the old stand-by for story creation:

what if…?

And I get a goodly number of “what-if” stories out of my dreams.

Sweet dreams!

Imagination and the post-y generation

tripodLast night we went to see Tripod: Men of Substance. It was a vaguely depressing show, as the boys (men, now) addressed turning 40 and sixteen years of performing. Shereen thought it was hilarious. I looked at us, 16 years ago, drinking at the Prince Pat and watching Tripod doing Open Slather. Each of them had their own coloured shirts. It was fresh and funny and we’d drink too much and stagger home afterwards.

This show started at 8.45 and we were home by midnight. Sad sad sad.

I’ve always liked Tripod. They write for my generation and my type of person. There are references to Dungeons and Dragons, Star Wars and Commodore 64s. One of their songs last night was called “Waiting for the Game to Load” after putting the tape in, typing load and pressing play. Ah, the memories.

People magazine

Builders had good taste

At one stage they commented on having to go to the tip to get porn. When I was a pre-teen living in Kyabram, we used to hunt down building sites. There we would find the builders’ stash of People (tame) and Picture (less tame) magazines. I had no idea that there was anything stronger available until  high school and my introduction to working life as a paper boy. With 20 boys and 1 adult supervisor, suddenly we had illicit access to a whole new class of porn –Penthouse and Playboy at the tame end, Hustler and other plastic-baggers catering to whatever your particular fetish was at the other end.

But still, getting access to it required a bit of effort and some ingenuity. And of course, you had to outsmart your parents in the hiding. A regular rotation shift of location and the occasional emergency ditching to a friend seemed to work.

Now of course, the Internet has killed all creativity in that area. I teach a Cyber Safety unit at school. When I talk to the students about safe and unsafe uses of the Internet, I almost always have to take notes, as they list off incredibly thorough listings of sites with free access. Of course, they don’t tell me that these are porn sites. I ask them for popular web sites and they will say something like “Oh, I’m always on RedTube, sir, do you know it?” and then watch my expression closely. I have mastered the blank expression, but often I don’t need it. These students know more about free porn than I ever will (holding out wedding ring).

I got really side-tracked here from where I was going in this post. What was I going to say?

Oh yes, imagination.

Tripod’s other little gem was that boredom is the catalyst for imagination. My brother and I never got up in the morning thinking that today was the day that I would almost cut off his thumb. We would eat breakfast, sit around a bit, and then say “OK. I’m bored. What do you want to do?” And one of us would remember that there was a hatchet in the back shed, and a stack of wood that could be cut up. And of course, Justin would have to hold the wood still. And then there was the hospital trip and another experience arising out of boredom and imagination.

I’m not saying it right.

We would sit around, nothing better to do. And then Justin would point out that we could jump off the roof, onto the trampoline, and from there to the cushions and mattresses from the caravan. Mostly, he was right.

This is why I’m not in sales.

OK, last try. Dad would bring home a video camera. It was a massive thing, with a shoulder strap to hold the player, attached by a cord to the camera itself. We would spend hours creating film. We figured out how to do stop motion and would drive chairs around the backyard. We realized that if the camera was on a tripod (not a Tripod) we could do special effects, turning Elise into Dad and making people disappear. We would do David Attenborough specials through the wilderness of our backyard, and rope in our friends to create advertisements for made up soap and pet food. We let our imaginations run wild and rarely came back to earth.

bored is good

bored is good

I’m not even sure that teenagers today would get Calvin and Hobbes. “Is he playing some sort of a computer game?” “Is it something like Inception?”

Of course, there are still the precious few – those children and young adults who can live inside their minds and find the hidden worlds that exist all around the bored and the inquisitive. And imagination exhibits in other ways. The special effects that abound in today’s movies are incredible. And someone had to imagine that. Computer games are pushing the boundaries between interaction and storytelling, to great effect. Only two percent of novels are published, which means that for every novel on the bookshelves, there are … um, more (199?) that have been written, but not published, which is an amazing output of imagination. Imagination isn’t dead.

But:

Kids who spend all of their time playing Clash of Clans. Kids who don’t know the meaning of boredom due to being given iPods at the age of four. Parents who turn on the tv or the computer or the console whenever a child says “I’m bored.”

These people are giving imagination a damn good thrashing. I’m sure our creativity is diminishing as a species. And what does that mean for humanity as a whole?

It’s the dreamers, the bored and the curious who have gotten us to where we are today. If nobody is allowed to be bored, they won’t dream, they won’t have a need to ask “What will happen if I mix these two…” BOOM.

And may the gods help us then.

PS. A side not that I couldn’t fit in anywhere else: Film studios need to get past remaking films from other countries and other decades, or adapting nostalgic television into nauseating and forgettable cinema.

PPS. Today was the bored. Next week will be the dreamers. Does that mean I now have to write a curious blog post about skinning cats?

PPS. Finding Damo word count tomorrow. I’m also writing a new one-act play.

 

When you can’t say something nice…

A quarter of the year has gone by. Finding Damo has been dead silent. There are a number of reasons for this, but the main one is: I forgot the first rule of being a writer.

Write.

30 Years of DiscworldThat being said, I have been incredibly creative over the past few months. As publicity officer for Nullus Anxietas IV, I’ve written a couple of scripts, a couple of articles, many many press releases, maintained four different social networks and sang Who Will Buy (from Oliver) with completely different words (for Dibbler). I’ve done a lot of film work. And I worked with Pippa to create a Discworld cake that would feed over a hundred people. With gluten free extras.

My family loves having me around again. Shereen called herself the “Convention Widow”, so when I am home, I am loathe to hide myself in a room to write.

I have also (shock horror) spent a good deal of time doing my actual job. I’m teaching History for the first time in five years and in my brain, Australian History has always been “marked for Deletion” in case anything more important entered my head – like for example a quote from a Harry Dresden novel. Whoops, there goes the Eureka Stockade! Gone.

So I’m filling my head with useful facts, getting the Golden Pen writing club back up (stay tuned for more short stories because of that one) and trying to field a successful debating team.

And with the debating competition come the debating topics. Ah, the wonderful topics. Always something to comment on. Should we ban streaming classes in schools? Should stay-at-home parents be paid a wage?
Why don’t we just let sports figures take whatever drug they want?

ooooOOOOOooooo. Excellent topic.

It just begs to be taken to the illogical extreme. Sports people are doing drugs. The ones that aren’t are obviously at a disadvantage. Why not just let everybody take performance enhancing drugs, level the playing field and look forward to an infinitely more entertaining sporting experience?

There is, of course, the matter of rich nations immediately having an advantage (that’s where the good drugs are), especially in international events like the Olympics.

But really, I’m more interested in events like Football, boxing, wrestling. Events where we can expand the sport beyond the limits of our puny human bodies into something truly awesome.

Just imagine it: the Pharmaceutical Games. Who cares what that athlete’s name is? He has nothing to do with how well he’s going to perform!

bayer contestant“Coming into the arena now is the Bayer contestant. Whoa but he’s a beauty. The medical boffins have turned him into a mean (literally) green fighting machine. I’m assuming that has something to do with his chlorophyll count. Dr. Heckyll, would you care to comment on your creation?”

“Yes, Jim. Thank you. As you have guessed, we have genetically modified this specimen to take energy directly from the sun. It no longer has to worry about anaerobic pain, as individual cells are constantly fed oxygen from every pore on its skin.”

“And how do you think it will compete against the Johnson&Johnson competitor? Oh, he’s coming out now. Wow. He’s almost twice the size of your creation.”

“I’m not worried in the slightest. The J&J beast is big, but they haven’t had a winning fighter since the Blob, back in ’28!”
If you weren’t worried by little considerations such as ethics and the well-being of competitors, sport could be something I might even tune in to watch! Who cares about fairness in sport? Sport was created as a way for lords to observe the fitness of their soldiers outside of proper warfare. It was war without the death (mostly). In that situation, the person who wins is better and the reasons why they win stop being so important. Fairness? Pah. All is fair in love and sport!

I think the Death Race model is one of the better ones. Take convicts who have been sentenced to death. Give them the opportunity to win their freedom in the arena. Make them sign their body over to whichever pharmaceutical company came first in the draft. And let them have a field day.

Of course, we could never let these hulks loose on society afterwards. But they don’t have to know that, do they?
Where’s the drawback? I see no way that this could go horribly wrong, only to be resolved in around 120 minutes of bloody action!

I think I should take a break now. Gain some perspective. I’m back on the weekly blog schedule, and have some keen insights in store for 2013.

BTW, I’ve started writing again. This week was a one-act play and a short story. Finding Damo (the novel, not the blog) is calling to me. I’ll post word counts next week.

Happy Easter everyone!

Bad Hobbit

This isn’t a movie review blog. I don’t want to make a habit of this. But I really feel the need to unburden myself after living in delighted expectation of “the movie event of the year” (as if there’s ever only one) and then having to sit through three hours of absolute tripe as my hopes died, torn apart by  my ravaging frustration at a talented director getting it OH SO WRONG!

bilbo_640x960But anyway.

I’ll start with the general stuff, and then anyone who doesn’t want spoilers can depart and come back after they’ve read the book or seen the movie or both. No, actually, if you haven’t read the book, leave now. Spoilers abound. For those that have, I’ll try and avoid spoiling the movie for the first bit.

Peter Jackson has proven that he’s a good director. Heavenly Creatures  was a marvellous movie that linked fantasy and reality in a feast of visual and imaginative delight. Dead/Alive  was gory and funny and very well written. And King Kong  . . .

Ah, there’s the problem. I think Tripod  said it best when they sang “Get to the f***ing monkey!”

But even so. He has a great concept of space and the epic. He knows how to elicit emotions from his actors and the audience. His pacing is always good (except maybe for King Kong) and there is no way that he should have been able to screw up The Hobbit.

Jackson’s Hobbit, how did I hate thee? Let me count the ways.

Bringing back the old cast

I think I read an interview with Jackson, where he was overjoyed at being able to work with “all the old gang” again, and I winced. And then we saw trailers of the movie with Galadriel, and I thought “well, ok, it’s a stretch, but it might have happened”. And the cast list included Elijah Wood and I decided that a little introduction at the start might be deemed necessary for the uneducated masses who didn’t know that the movies were also books and needed some linking. Which is what they did. And it was terrible, and boring, and didn’t add anything to the movie, but there you go. As I said, maybe the studio demanded it.

And once that bit was out of the way and the story started properly, I was quite happy with Gandalf and Bilbo and a stack of dwarves. And they sang the songs, and I relaxed, because I had hoped that the songs would be a big part of the movie. And if they changed a couple of story points, then that wasn’t too bad, but I was starting to be a little nervous.

Unable to put together a realistic backdrop

Let me back up a bit, because you know that that’s what I do.

When the old Bilbo (from LOTR) is sitting there writing his little book, and Frodo wandered in and made some twee comments, all I could think was “This looks fake!” I was wondering whether it was because we were watching the movie in 48 fps, in 3D. Everything looked like it was on a sound stage. The hobbit hole was too clean and incredibly fake. Frodo looked like he was lit badly and in front of a green-screen half of the time. Any time there was footage of people talking to each other, in caves or houses or on rocky outcrops, my mind was screaming “Made-for-tv movie! Made-for-tv movie!” And so, as my first confession: it could be that the combination of a high frame rate and 3D technology killed the movie for me. And if that’s so- no, there’s no excuse. Jackson chose to use these technologies and probably saw rushes and dailies and test screenings and all sorts of other footage. There is no way he could have watched this movie and thought “yeah, that looks real.” I was never really in the action. Never allowed to let myself believe I was in Middle Earth. And that killed the movie for me.

They were filming in New Zealand for Bob’s sake! A land full of rocky landings and lovely caves. Natural backdrops and fantasy settings. Why did everything look like it was made out of Styrofoam?

Turning a PG movie into an M movie

As I’ve mentioned before, I’ve been reading The Hobbit to my 8yo daughter. My niece has been reading it. They’ve both loved it from start to finish. I read it myself when I was in Grade 2. These kids should be able to go and see a movie based on a book written for children.

Every sequence that I found unacceptable for younger audiences was one pasted into the storyline by Jackson and had nothing to do with the book. Which leads me to:

Making shit up

Oh, I hate swearing in a blog, but I am so angry right now! Oh, and this is where I’ll probably make some comments on stuff that happened in the movie, so if you want to remain completely spoiler free, run away now.

At some point, it came out that Jackson was making the two movies into three, using “unreleased source material and indexes” and everybody sighed. I thought it would be tacked onto the end, maybe as part of the Battle of the Five Armies (seriously, if you haven’t even read the book, you don’t want to be here right now).

Firstly, there was a massive battle between the dwarves and the orcs – again, giving the movie context in the greater world of Middle Earth. It was bloody and violent and introduced a giant white orc.

Without saying too much more, I’ll say that that orc became the bane of my existence on and off for the next three hours.

What I didn’t know and didn’t care about was that Jackson has incorporated information and story from The Rise of the Dark (the story of Sauron) as well as the backstory of the dwarves. There’s also a lot of backstory for characters from LoTR, and a good chunk of White Council as well, for good measure.

And I get it. Jackson is trying to link The Hobbit to the LoTR trilogy, making a much greater world out of a lot of different source material.

But that isn’t The Hobbit. That story is light-hearted and small. A story of friendships and adventure. A children’s story with a wider appeal.

Changes in tone

Throughout the movie, the tone changes with no apparent reason. There is an amusing run through the goblin tunnels, completely at odds with the seriousness of the situation. There is a completely ridiculous scene involving the knees of a stone giant. There is an unscripted battle scene when the wargs and goblins have the party trapped up a tree. There is not nearly enough singing. The elves are way too serious. It doesn’t look like there will be any speaking eagles. . . I need to stop now.

Seriously, screw the backstory, screw the appendices and the rise of Sauron. Let me have The Hobbit. Let me have my childhood. Peter Jackson, get your grubby fingers out of Middle Earth.

PS I liked Tintin.

Another perspective:

http://io9.com/5968455/the-hobbit-is-a-lot-better-once-you-realize-its-a-war-movie

Must. Read.

asleepLast night, I did something I never thought I would ever do: I asked my step-daughter to put the book down and go to sleep already!

Now, before you lynch me or put me in the same category of book burners and fundamentalist christians, let me explain.

She’s 8. Her bedtime is 8.30. She loves to read. And her imagination doesn’t have an off-switch. So if we let her read until she’s tired, she’ll still be reading at midnight. And then we have to deal with the consequences. So when I saw the light shining from  under the door (again) at 10pm, I had to do the unthinkable.

Normally, I’d be quite happy for her to read all night. Let the stories invade her mind and set fire to her imagination. She is a voracious reader and, at 8 years old, she’s reading well beyond her years. She had to beg us to let her read the second Harry Potter book, and I think we’ll probably relent on the third book as well before she hits ten.

But her mum and I just can’t handle the almost-teenager-like reading hangover that results from a late night. So we have to limit her, like a crack addict, to small doses per night.

Her reading list at the moment:

1. Bridge To Terabithia – I’m reading this to her. I don’t think you ever get too old to have someone read to you, and it helps me bone up on my American accents.

2. The Hobbit – I started reading this to her, but she started making very clever “guesses” about what was going to happen next, and I found that she’d read the whole thing over a couple of nights of subversive torchlight reading.

3. Harry Potter and the Chamber of Secrets. She quotes from Philosopher’s Stone all of the time, so it was only a matter of time.

4. Brer Rabbit Tales by Enid Blyton. She read 15 Secret Seven books in two weeks and was re-reading the Faraway Tree, so I figured she was up for something new.

On top of these, she still reads the grade-two level readers her school gives her, which I agree with educationally (I was able to teach her how to read comics properly, for example) but wish that the school could challenge her a bit with reading.

We were pretty dismissive when we gave her Esio Trot to read and she returned to me in an hour saying it was great and could she have another one. Almost half-heartedly, I’d ask her a question about what happened in the book. She answered promptly. Surprised, I tried something a little more analytical. She had it down pat. From then, I’ve just watched in amazement as she worked her way through dozens of books over the past couple of years, making incredible comments on genre and comparisons to other books. My year 10s can’t do it, that’s for sure.

But I didn’t start this to rave about my step-daughter, who you don’t know and doesn’t enter into Finding Damo in the slightest. I was going to use it as an introductory stepping stone and got carried away.

So… Hop! Next stone.

I used to read in bed as a child. I utilised the torch for my own illicit reading. But I was often found, fast asleep with a book on my face. I’m pretty sure it still happens sometimes.

This is the version I read and still own.

I read The Hobbit in Grade 3. I read the Wizard of Earthsea in Grade 2 – Mum was studying it for school and we were travelling through Queensland and it was there so I read it.

I read Bridge to Terabithia in Grade 5 or 6 – the teacher was giving me and a couple of others books to challenge us as the regular reading was way below us. In primary school I found Encyclopedia Brown, The Three Investigaters, Biggles, Blyton, Asterix and Tintin. As I got older, I devoured all of the Doctor Who novelisations, Judy Blume (Forever was an experience, I can tell you!), Victor Kelleher and Douglas Adams.

Scarily enough, I didn’t discover Terry Pratchet until university. Dave and I had been introduced to a MUD (multi-user dungeon) on the Internet, and we were having problems with some of the quests. “Oh,” said a helpful player, “that one’s straight from the books.”

“There are books?” I asked, to the general hilarity of the online world. Soon after, Dave and I were annoying the crap out of a busload of people as we read Reaper Man and Small Gods on the way to Queensland. And now I’m on the organising committee for Nullus Anxietas IV.

There are a few novels that completely changed my life.

The first, I just finished again, this time on audio. 47 hours of unexpurgated Stephen King. The Stand. A work of genius that draws me in, over and over. I think I’ve read it at least once every two years since it was published. And yes, the re-release was better.

IT, I’ll lump in with The Stand. It is King’s mind at work. But these two, above all of the others, make me come back and read them for the sheer depth of the worlds he created. I also read Christine and Pet Sematary on a regular basis.

Ben Elton’s Stark was the first book I’d read that didn’t have a happy ending. It shocked me, but also opened me to the possibilities. It was incredibly well written, great characters and then… what the hell?

Tad Williams’ Otherland series blew me away. It’s slow going in places, but again, the story had a scope that I hadn’t seen in a novel or series for a long time. That one’s due to my aunty Joan, who put me onto them.

Robert Jordan’s Wheel of Time gave me a new insight into magic. It was a world that touched on hundreds of different mythologies and wove them into an incredibly complex world. And then Jordan wrote books 7-10 (which were unnecessary). And then he died. Brandon Sanderson has revitalised the series, and I’m really looking forward to the last book.

Clive Barker was another writer who pushed boundary after boundary. Imajica redefined horror and fantasy for me. He wrote about things that I would never have the courage to write about under my own name.  He’s not for the weak hearted, but he is an incredibly good writer.

I could go on. I might. But as a youngster, these books changed the way I looked at the world. I still like to get back to them on occasion to revisit writing that makes everyone else look bad. Don’t attack me for the people I’ve left out. I could add at least 20 more books that have also changed my life, but this was meant to be an off-the-top-of-my-head account and these are the ones that came to mind.

Oh, by the way: I’ve written ten more pages of Finding Damo. Word count to come when I’m home.

Dwarves in Space.

I’m in the study of my new house, looking out at a magnificent garden and wondering why I’m not outside. At the moment, all that is stopping me is the deadline of sending my novel out to be published. And all that is stopping me there is the lack of a title.

For years, I have been calling it Dwarves in Space. And then a few people commented that it was a ridiculous title. So I changed it to “Don’t stop the world, I want to get back on.” which was very indicative of the story, but was, in the words of my friend and mentor, Danny Galvin, “a pun on a book from before you were born. Nobody will get it.”

After an incredibly long brainstorming session at Mum’s place, we ended up with the title Starstruck. Boring, but catchy. Not too punny. The problem is, you’d have to read it to get it.

And so, when I started farming it out to editors, I changed it back to Dwarves in Space!

And then I had Geoff Brown go over it – he did a great job of picking out the worst grammatical flaws and story faults, but didn’t notice that even though the Eagle was lying on the side of Mount Olympus, it was also flying King Roland back to the city for the end scene.

Oops. Minor spoilers.

My favourite quote from him was as follows: “I think the title leaves a lot to be desired, and doesn’t show the true richness of the story.”

So I’ve been madly trying to find a name that does show the true richness of the story.

Feel free to help. Here’s my brainstorm: https://bubbl.us/?h=14817/21f3cb/83C1g3DlojTJw

I’m trying to find a title that is epic, that links fantasy – with its elves, wizards, dwarves and magic – to spaceships and starcharts. It’s a comedy, so I’d hope the title demonstrated that somehow.

Not much to ask for, you must admit!

If nothing comes to me, I’ll have to hope that Penguin’s promise that “All manuscripts are carefully read and assessed,” is true, and they read it on its merit and maybe suggest something better. Who can tell?

I’m telling you, this has been an epic journey just in the writing. Let me tell you a story…

Many MANY years ago, I decided to go to a psychic. She was incredibly good at teasing out details and surprised me with a number of predictions that she couldn’t have known about. She is the reason why I didn’t get my motorcycle license. She also told me that I’d write a novel “something to do with the wizard necklace you are wearing” and get it  published. I’d been thinking of a novel about wizards and dwarves on a spaceship, and the havoc that would ensue as they tried to learn how to fly the ship. I got home and started writing.

The next phase of this story takes place in Japan. I was dating a girl named Kallie, who was a great reason not to be at home. I left early each morning and went to a cafe. I drank coffee, smoke cigarettes and wrote for four hours a day. In the ten months I lived in Japan, I knocked off ninety-five percent of the novel. And I was very happy with it.

 

And then I started reading books on publishing, and the first thing they said was “you won’t get published without having some short stories published first.”

And I met Sara Douglass. Well, I re-met her. She was my History lecturer at university, and she was an incredible writer and an incredible lecturer – full of life and humour. And I don’t want to speak ill of the dead, but her advice to me was “You will never sell anything that’s a mish-mash of so many genres.” That put me right off.

So we fast-forward ten years. I’ve had a few short stories published, I’m well into my next novel, and I’m ready to go on … ahem… Dwarves in Space!

Pippa has been invaluable in this part, going through the manuscript with a fine tooth comb, telling me over and over to work on my female characters, and pointing out grammatical errors that make me ashamed to say that I teach English for a living.

And I’m sure that much of the reason that I haven’t tried to have it published before now is, I am deathly afraid that after spending more than a decade with my baby, it will be rejected. But that’s not enough of a reason any more. OK. Here we go people. I’m pressing the send button!

Who does that voice look like?

I started writing this three weeks ago, and ended up having to split it into three blog posts to have it make sense. I started on an evening when the Mists of Pandaria update prevented me from playing, but couldn’t find my voice, so ended up writing about Super! instead. I tried again this morning – a post about stereotypes and teachers, but again, it wasn’t coming out right. So I’m giving you the first part of that post – a comment on stereotypes in TV and movies. I’ll get into the rest as soon as possible. I know I’m a few weeks behind, but we just moved into our new house, and hopefully my busy days are done. Here goes:

A few weeks ago, I talked about the American school system and the extremist schools that are going to teach the existence of the Loch Ness Monster, proving the existence of God. At that time I went down the road of supernatural interest and ghost stories. I did, however, mention that in another reality, I might have talked a little about teachers and stereotypes and why the stereotypes exist.

So here we go, rolling the dice again and heading into another reality:

That one was all of the realities in one. Very amusing if you’ve seen the episode. If not, belated SPOILERS!

And the die lands, and Damian decides to talk about teachers. (edit:  But that was too much work, so he’s left it with stereotypes)

I was going to write about teachers last week, but then something happened that would have meant I spent most of the time bitching about one particular teacher instead of talking about teachers in general. I’m plenty mellow tonight, so here goes…

In case you care.

I was listening to the Friday Night comedy podcast from BBC Radio. Tim Minchin was interviewing Caitlin Moran, and she sounded very cluey and it was a very amusing interview. And I realised that I had no idea what she looked like. And then I realised that I couldn’t even guess with any real accuracy. My reasoning goes as follows: if you watch a lot of American TV and movies, you start to match voices to faces. Americans love typecasting people. And when you hear someone on the radio in America, there is a good chance that they look how they sound. I know that this is incredibly generalistic (if generalistic is a word) but try it some time.

When I listen to British people on the radio, there is no typecasting going on in my head. I can’t picture them. I had no idea what Caitlin Moran looked like.

OK, here’s my theory: in America, there are a vast number of people who audition for every acting/media part. Given that excess of talent, producers/casting agents choose people who NOT ONLY can act/sing/talk, but who ALSO fit the concept in their head. A concept that is a stereotype drawn from generations of other casting agents doing the same thing. Types change. New types are added, but in general, they’re a little bit predictable.

In the UK, with far less people to draw from, the really talented people don’t necessarily fit a mind model. And this is just me being slightly nice to the Americans. I’d prefer to say that the British are just less shallow and pick people for true talent rather than what they look like. But there’s a chance that the population excess could be true too.

Either way, although there are types in British tv, they aren’t as fixed in stone as in America. Who would have thought of Katherine Tate as a companion for the Doctor?

I’m currently watching Episodes, with Matt le Blanc (actually, I’m watching Episodes with my wife, but Matt le Blanc is on the show). A British writing team are conned into coming to America to write an American version of their hit British show, about a school headmaster. It’s very funny and pokes a lot of fun at shows like American Coupling, Red Dwarf or Men Behaving Badly. But that’s not my point. It’s funny because we all know that when an American production company gets hold of a British property, they change it so that it fits in with an American audience.

They don’t take into account the reason why so many Americans watch the show (making it viable for a remake) is the humour in the British way of thinking about life. And probably the fact that the Brits don’t just hire pretty people and stick glasses on them to make them ugly.

OK. Do my job for me. Episodes is about the creation of a sitcom at a high school. It will feature a number of different stereotypes, because we all think back to our school days and remember:

– the militant PE teacher.

– The Maths teacher in his sandals and socks.

– The IT teacher who wouldn’t come out into the light and

– The hippy English teacher who would quote poetry at you and be disappointed when you didn’t burst into tears at the very words entering your head.

Or maybe not. Which types of teachers did you encounter over and over? I’m halfway through my teacher blog. Back on track next Wednesday.

Oh, and no new Finding Damo – the Novel as yet. But the show was a ripping success.

Super!

I had a phenomenally deep, completely insightful blog half-written on Wednesday, before my brain melted into a sludge and left me drooling on the keyboard. When I went back to it, there was nowhere to go and no end in sight. So I’ve shelved it.

Why? Why is our heroic blogger unable to blather on about nothing for pages this week? Surely he hasn’t “lost it”!

Gods. I hope not. No, today is eight days before the first audience for my production Super! and nine days before the official showing. That’s right. One night only! Don’t get me started. Well, don’t get me started yet.

So my focus is on the show, rather than Finding Damo. And yet, here I am, taking the time to keep you all informed. Do you feel privileged?

Right, so there are two brothers, Zack and Joss. They are dropped off for their first day of school and, after travelling through the secret tunnel and pulling the nose on the statue, arrive, ready to learn. And they’re met by Igor, who welcomes them to Super Hero High School.

That’s right. Their parents have sent them to a high school for super heroes.

Health and Safety is a MUST!

Students come to the school in the hopes that they can join the elite force of country-saving super heroes – the equivalent of a nuclear stockpile in global politics. Zapped with radiation within their first few days, they are tested for powers and then trained for the rest of their school life to be the most effective heroes they can be.

School being what it is, there are always cliques. In a Super powered school, the main factions are the Heroes – dedicated to law, order and mall appearances, and Villains – bent on world domination, but with the best intentions of course. The majority, however, aren’t super powered. They are the Norms: the downtrodden majority. The elite of these can be utilised as henchmen or sidekicks (or lackeys for Igor, who runs the Henchmen and Sidekicks Union). But mostly they clean the floors and are pushed around, running errands at the whim of the Supers.

When Zack and Joss both manifest and choose opposite factions, and the Norms Jeff and Ted are bullied one too many times, Super Powers High School becomes a much more interesting place to be.

I wrote the play while travelling around Europe. Long train journeys, an iPad and Bluetooth keyboard made for a fantastic writing environment. I wrote it with a certain cast in mind, and I even got a couple of them. It’s definitely written for a high school cast. It’s also written for Shereen, Pippa and Dave, who are almost my entire audience when I write stuff in my head. Lots of Whedon references – some subtle, some a complete rip off. They wouldn’t let me do Dr. Horrible, so I did it anyway, but with a bigger cast and less girl.

OK. Six minutes before I have to go and do some work. I would suggest, that if you live in Melbourne and have nothing better to do on the 12th September, come and see it! St James College, East Bentleigh. No bookings, $5 entry. Great music from Smashmouth, Voltaire, the Living End, Michael Buble, Oasis, the Dollyrots and Oingo Boingo.

And for those wondering if I’ve added to Finding Damo – the novel, remember: melted brain, screaming Year 7 students, grumpy teenagers and the need to create a Human Fly costume in the next couple of days.

That would be a no. I promise, after the 12th, I will write 2000 words before my birthday.

PS: My stories are still selling well on Alfie Dog. If you want one for whatever device on which you read eBooks, go to the website! I’d love it if you let me know what you thought, good or bad. And tell them you want more werewolf stories, because I really want to sell them Shoot for the Moon.

Just a quick one

A little success story: my stories are among the top five sellers on Alfie Dog. If you haven’t bought one yet, apparently, they are quite enjoyable.

You can find me from the main page at the moment under the heading “Top Five Sellers”

Sorry, I’m quite excited by this.

http://alfiedog.com/

New blog soon.

Death Watch – short story interlude.

NB: This is based on a podcast involving Ricky Gervais and Karl Pilkington. Karl invented a watch that would tell you when you would die (the how of this was never really explored). I loved the idea. This isn’t for publication, but I’m hoping you’ll enjoy this.

2nd NB: I promised that I would start writing a word count for Finding Damo – the novel. I am currently on 8,827 words. Next blog should take me over 9k!

The story:

It was with a certain understandable resignation that Gordon pulled himself out of bed on the morning of his death. It was, he decided, not a good day to die. His head throbbed (aneurism?), his teeth felt as though he’d brushed his teeth with a hamster (poisoning?) and his stomach was roiling uncomfortably (oh gods no, not botulism!). He swung his legs off the bed and sat with his elbows on his knees and his hands over his face, trying to raise the willpower to stand up.

Just under ten hours. He stared blearily at the Pilkington on his wrist. Numbers counted down merrily, mocking him with every cheerful flicker.

9:45.56
9:45.55
9:45.54… 53… 52…

‘Rmph,’ Gordon said. Just under ten hours, and he was wasting time feeling sorry for himself. He had places to be.

After showering and brushing his teeth, Gordon felt better about the day. Not good, but better. His Pilkington Deathwatch had been warning him for weeks that today was the day, so he’d had plenty of time to prepare. His affairs were in order. His lawyer had his will. He’d told everybody he loved that he loved them (it was a depressingly short list). He’d sold his house and with the proceeds, bought himself a first class flight to Sydney to spend the last hours of his life with a girl whose online dating profile said she ‘wanted to hold a man while he died in her arms’. It seemed as good a way to go as any, unless he really did have botulism. But it was unlikely. He felt fine.

Actually, physically, he felt fantastic. There was no dizziness. No more headache. No unexplained aches or twitches. His pulse was within normal parameters. He left his hotel room for the last time in fine form, hopped into the waiting taxi and stared at his life ticking away as the vehicle whipped through the traffic to the airport (horrible car crash? No, too early).

8:23.23… 22… 21…

The taxi driver glanced at him and grunted sympathetically.

‘Last day?’ he asked. Gordon nodded. ‘I always wanted one of those. You know, way I drive? They just too damn expensive. Have you got long? I slow down?’

‘Eight hours and change,’ Gordon said. ‘I assume that means we’re safe.’

‘True. Of course, you maybe only badly hurt, and die later on of complications.’ Gordon heartily wished the driver hadn’t brought up that possibility.

‘Maybe you should slow down a bit then,’ he said. The driver obliged, but soon was back up to his regular breakneck speed, dodging into gaps that really weren’t big enough to fit a cab.

They reached the airport in record time, arriving at the drop off area just as the Pilkington hit eight hours. Gordon’s pulse was definitely over the recommended limits by now and the tip he gave the driver was more thanks for getting him there alive than for the quality of the service.

He had two hours until his flight. With one hour in the air and one hour in the taxi at the other end, that left him four hours with which to spend with the compassionate Carol and her loving arms. He took his time going through security and was escorted to the First Class lounge where he was given a glass of wine and a bowl of peanuts (late onset anaphylaxis?). He picked up a magazine from the pile in front of him and settled back to wait.

Forty-five minutes later (7:02.43… 42…) there was a ping from the departures board and all of the numbers shuffled around. Gordon lowered his magazine and watched with growing dismay as large red letters appeared on the screen next to his flight number.

DELAYED.

No need to stress, he thought. Delayed could be just half an hour. Maybe an hour. Even two would be ok, if Carol was less than worried about the niceties. There was no modified time of departure. He tried to get interested in the article in front of him – something about salt-mining – but his eye was repeatedly drawn to the departures board and that crimson statement:

DELAYED.

Finally, realising he wasn’t going to be able to relax, he stood up and went over to an obliging host.

‘Do you have any idea what’s happening with the plane to Sydney?’ Gordon asked. The host smiled broadly, for no apparent reason.

‘Let me see what I can find out for you, sir!’ He tapped at a computer. His smile faltered somewhat. He picked up a radio, turned his back on me and mumbled into the receiver. I could see the tension forming in his neck as he talked. I almost sympathised. Airline passengers are a cranky lot at the best of times. Having to deal with First Class airline passengers when something goes wrong would be a challenging job in anyone’s view.

And then the Pilkington caught his eye.

6:46.34… 33… 32…

and all sympathy evaporated. He watched the host take a deep breath and turn around, smile fixed firmly on his face.

‘Well, sir…’ he began, but Gordon was having none of it. He shoved his watch in the host’s face.

‘Do you see this? This is my life, slowly ticking away. I have spent an absolute fortune to ensure that I am in the lap of luxury in well under three hours. Her name is Carol. What’s going on?’

‘I am sorry, sir. Honestly I am. There is a fault with the plane. There is no way we will be able to get you to Sydney before. Well, you know.’

‘Are there any other flights? This isn’t an optional experience here. I have been planning this for weeks!’

‘I’m afraid not, sir. The football finals mean that all flights from Melbourne to Sydney are completely booked out. However,’ he added, rustling beneath the desk, ‘given the timely nature of your, er, imminent passing, this might interest you.’ He handed Gordon a brochure, blushing slightly as he did so. Gordon took the brochure, curious in spite of himself.

Join the MILE HIGH club.

‘Die up High,’ Gordon read. ‘This better have something to do with drugs, because if you’re suggesting I spend the last moments of my life in a damn aeroplane, I shall slap you with this brochure.’

‘Some people think it’s a novel experience,’ protested the host, backing away from the counter slightly.

‘You certainly can only do it once,’ Gordon said. ‘So you’re telling me, there’s absolutely no way that I can get to Sydney this afternoon?’

‘I’m afraid not,’ said the host.

‘And I don’t suppose you’ll refund my ticket?’

‘I, ah, well, it says quite specifically in the Terms and Conditions…’ The man was perspiring now. He was dealing with a man with nothing to lose, and Gordon was sure he was cursing whoever added the ‘foreknowledge of death’ clause to the standard terms of the flight booking.

‘Of course it does. Oh settle down. I have no intention of leaping the counter and making you eat this brochure,’ Gordon snapped.

6:43.12… 11… 10…

Yet, he thought.

What to do, he wondered, going back to his seat. He looked up at the host, who was now dealing with another irate would-be-flyer. He could, he supposed, go on a rampage and take as many people with him as he could (death by police shooting while force-feeding pamphlets to a sweating airport worker? Implausible at best). He could take up the airline on their Mile High experience, dying above the clouds in first class. Or he could just go home and die alone, to be found – oh no, wait. He had no home. He didn’t even have a hotel room any more. He looked at the watch with sudden fury.

‘It’s all your fault!’ he hissed at the inanimate object. ‘I didn’t need to know when I would die! Without you, I would be at work, massaging random strangers, and I’d just drop dead of – well, whatever, when the time came. Face-plant into a warm nest of sweaty, pliant, naked rich person. What a way to go.’ Given that alternative, he was happier to be in a First Class lounge at a top notch airport, even if he was going to miss out on Carol. He turned to pick up his glass of wine and almost eskimo-kissed the red-faced man whose face was only millimetres away from his own and who was now staring into his eyes with an expression that could best be described as ‘frantic’.

‘Are you dying today?’ asked the man. His breath was more alcohol than carbon dioxide, and Gordon placed a hand firmly on his chest and pushed him away. Unfortunately, this was Gordon’s watch arm, and the man grabbed his wrist and squinted at the Pilkington. ‘Aha!’

‘What? Why? Let go!’ Gordon said, pulling his hand back. ‘Everybody is more than unusually interested in my death today!’

‘Ah, but it’s not jusht yourrr death, y’see?’ the man said in a drunken slur. ‘Look’t this.’ He held out his arm, displaying his own Pilkington. Gordon read the screen on the device, somewhat unwillingly.

6:42.33… 32… 31.

Surprised, he brought his own Pilkington up beside his accoster’s.

His:

6:42.38…37…36

The drunken man’s:

6:42.25…24…23

‘Well, that’s a coincidence!’ Gordon said with forced brightness. To be honest, the whole concept of dying was starting to be more trouble than it was worth.

‘Co-IN-shidensh?’ the man shouted, drawing looks from around the lounge. ‘Thish is no co-IN-shidensh!’ He was waving his arms around and overbalanced, falling into Gordon and knocking both of their glasses onto the ground. Gordon jumped to his feet.

‘Right. I’m getting out of here!’ he said, and walked up to the counter. ‘If I can’t die in the arms of poor sweet Carol, I may as well try and find someone closer to home.’ A hand clutched his arm. Not again, he thought. The woman next to him was deathly pale, her breathing shallow.

‘Did you say die?’ she said in a high, frightened voice. Sighing, Gordon held up his Pilkington. The woman glanced at it, looked back at his face, and then shrieked and grabbed his wrist. She held up her own. Another Pilkington, of course.

Hers:

6:40.58

His:

6:40.55

Gordon frowned. He gestured at the by now very flustered host.

‘Exactly when are we expected to fly into Sydney?’ Gordon asked, pretty sure he knew the answer.

‘Um,’ said the man, looking at the big company-logo clock on the wall. ‘I would say, if the new schedule is correct, you would land in just under seven hours.’ (fiery explosion due to malfunctioning plane. Ding!) The woman who would share his fate slumped to the floor, her eyes rolled back. The drunk man, listening in from behind, vomited into his wine glass. Gordon sighed once more and turned to the people waiting in the airport lounge.

‘Apparently,’ he said, ‘the flight to Sydney will be met by some calamity involving the death of myself, this gentlemen behind me and the reclining woman below.’ He held up his Pilkington. ‘I’m not sure about the rest of you, but I fully intend to find another way to spend my last hours. I recommend you do the same.’

The first class lounge host was on the phone, yelling into the receiver for security. Gordon picked up his bag and left the first class lounge, dodging panicked rich people as they stampeded for the exit. He looked at his Pilkington. It now read:

21y, 2m, 21d 18:23.12… 11… 10…

(heart attack? Oh, who cares?)

‘Interesting,’ he mused, as the security guards rushed past him and into the lounge. ‘Very interesting.’ He slipped the watch off his wrist and into his pocket and then pulled out his mobile phone. He texted Carol, letting her know he wouldn’t make their date this afternoon, but that if she ever made it to Melbourne, he’d love to catch up. He really didn’t expect a response.

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