Finding Damo

The story of a man, his job, two cats and the meaning of success.

Archive for the category “story ideas”

The Darkness

Last night, my fiancé crawled up next to me.

“I had a nightmare,” she said, and told me what it was. It was detailed, it had dialogue, examined a number of themes and basically demonstrated a healthy subconscious dealing with the stress of everyday life.

About two weeks ago I woke up in the middle of the night and crawled up next to my fiancé.

“I had a nightmare,” I said. She commiserated.

“What was it all about?”

“Ghosts,” I said. And promptly fell back asleep.

And I’m the writer.

No, really, the dream was just as complex, with lots of themes and allowed me to recognise a fear of mortality that ended up being a blog post from a couple of weeks ago. But having voiced the fact of a nightmare, I put it out of my head and that was enough.

Last night I dreamed that I broke the neck of a rat because it was crawling around inside my shirt and I didn’t want it to bite me. Later in the dream I pushed a man (a bad man) down the stairs and snapped his neck with my boot because he was threatening to turn me in for something that I had done earlier in the dream.

My sister said to me today: “Your nephew is going to be a fantastic storyteller. He loves telling stories – of course they’re incredibly dark and gruesome, but a good read nonetheless. Just like yours.”

I have no idea why I so often go to the dark places in my writing. I write lots of funny, nice and friendly fantasy and science fiction. But the two pieces that have made it closest to being published are the story about the guy who cuts people’s “souls” out of their body to trade with the devil, and the wife who is sick of her overbearing husband and so feeds him to a zombie.

Lots of people laugh at death. Some people even laugh at Death. Maybe not twice. My conclusion is: if you can laugh at it, it’s no longer scary. I think I did the right thing by letting my stepdaughter play Plants Vs. Zombies. Zombies are no longer something that she is scared about. She knows the sunflowers and peashooters are out there to protect her. And a zombie with a bucket on his head just seems less of a threat.

So there’s that. Write funny stories about bad things and don’t fear the bad things.

But I also write pure darkness, with very little humour in it. And Shereen believes that I can write that because nothing truly evil has happened to me. I am living vicariously through my mind to try and experience evil from the safety of the page. I know that I love reading Stephen King and Clive Barker, revelling in every gory death. But I’m still rooting for the good guys. I still want to read the happy ending. And the happy ending means more when they’ve gone through so much more to achieve it.

Of course, sometimes I write horror because that’s where my mind goes when the story pops into my head. That guy just walked into an alley and didn’t come out again. Logically, he walked to the other end and left by another exit. But what if. . . hell, maybe the alley eats people. Maybe another man sends people there as sacrifices to the person-munching alley, to – oh I don’t know, to gain its favour and the power that goes along with that? And what in Bob’s name is a man-eating alley doing in the centre of Melbourne anyway? And then things get convoluted.

I want to read that story now. I should go and write it. And I need to start getting some things published. Or my twisted little four-year-old nephew might beat me to the punch.

PS. Oh, I haven’t put this one down on paper. You wanna see dark? Sometimes, for a good costume, things have to die. For those who are really squeamish and love their teddy bears, you should stop reading now and go and read Penny Arcade instead.

We're going on a bear hunt.

Imagine That.

A good imagination...

Shereen and I sat down with a financial planner last night and discussed getting life insurance. I’m growing up! But now that I’m worth more dead than alive, I’ve had to accept that I’ve just taken the first step towards accepting that I’m going to die. I mean really, why would you bet an insurance company that you were going to die if you knew you were going to lose?

Dammit.

But never fear, bloggy followers, I am not talking about death, save as a lead-in to a commentary on imagination.

I spent a few weeks as a child wide awake each night terrified that I was going to die. As an adult, I’ve always assumed that it was a normal stage of development. You start off and everything is part of you. And then you want someone to feed you and they don’t and you realise that they are an independent entity. And eventually you realise that if they can go away and not come back then you might end as well.

For me, that was compounded, I think, by an incredibly vivid imagination. At night, trying to think of what death would be like, I could feel the wood of the coffin on my skin. I would try and drag a breath from a space completely devoid of air. I couldn’t imagine being dead and at peace. I could only imagine dying and the fear and panic that went along with that.

I’ve never written about that before. But I’ve written about almost everything else. And I know that I’m not famous enough for people to care where I get my ideas, but I’m going to tell you anyway. It is an insight into my warped mind and where a simple idea can take me.

The most convoluted idea for a story ended up being a short story called Have your Lamington and eat it too. I was living in Seymour, walking home from the bakery, eating a sausage roll. Bits of pastry were flaking away and dropping to the ground. I watched ants take the flakes away – a tasty meal – and had an epiphany: it is incredibly difficult to eat every little bit of anything! Imagine, then, if you had to eat a magic lamington in order to gain a special power. Imagine if you had to eat ALL of it for the magic to work. And imagine that something really bad would happen to you if you didn’t eat it all. I watched the ants drag crumbs of sausage roll down beneath the earth and decided that some poor sod wild have an extremely unpleasant time getting hold of those last few crumbs.

Ted’s Souls came out of a conversation with Dave, where we tried to figure out what the appendix did. It seemed like as logical a storage place as any for the human soul.

Shoot for the Moon was an exercise in sense-writing to begin with. I wrote a scene with as much sensation in it as possible. It turned into a proper story because I wanted to explore a world where nearly everybody was a werewolf, because really, it wouldn’t be that bad – most of the time.

Dwarves in Space began as an image of a group of dwarves lighting fires in the hold of a spaceship to keep warm and ponderings on how a wizard would survive in an environment of pure technology.

And Finding Damo evolved from a desire to tell the story of some of the stupid things I’ve done along with the idea that there might be a junior Perry out there somewhere that I don’t know about.

I have a story that deals with what the heir to Prometheus would steal if we got another go at Break-and-Entering Olympus. A story that came out of a minor nervous attack over the thought that, on a train, you’d have nowhere to go if the passengers suddenly turned into homicidal maniacs (yes, I think about these things). A story based on the observation that when you kill a spider, the corpse doesn’t always stick around (and so, is it really dead? Or are spiders immortal?). And a story based around a song called Skin Deep. I never knew it was called Skin Deep as a kid. I just remember the line: Better watch out for the skundig. What the hell are skundig?? That was a year’s worth of peaceful sleep I’ll never get back, I tell ya!

Come to think of it, “Better watch out for the Skin Deep” also has incredibly creepy vibes.

Lots of stories in my head!

Anyway, there are thousands of stories in my head. I should stop talking about them and go and write some. And if you know anyone who wants to buy some, feel free to send them my way.

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