Finding Damo

The story of a man, his job, two cats and the meaning of success.

Archive for the category “stories”

Better watch out – writing exercise

Back in 2012 I talked about a story idea I had based on a song called Skin Deep, by the Stranglers.

I’m getting back into the writing season, with my Golden Pen club starting up again, so I’m going to start writing small pieces that I can put up here for your viewing pleasure. My rules are that the entire story is written in one sitting and placed up without too much recrimination or reflection. Some of them I will take a good hard look at and change them for publication. Others are simply small pieces of entertainment that I will never take any further.

This is one of those.

If you haven’t heard the song, it goes like this:

It always freaked me out as a kid, and I always watched out for the Skundig (whatever they might be). I present for you, a quick writing expansion of that idea:

Many people tell you that they’re your friend
You believe them
You need them
For what’s round the river bend
Make sure that you’re receiving the signals they send
‘Cause brother you’ve only got two hands to lend
Maybe there’s someone who makes you weep
And some nights loom up ahead
When you’re asleep
Some days there’s things on your mind you should keep
Sometimes it’s tougher to look than to leap
Better watch out for the Skin Deep
– Skin Deep, The Stranglers. 1984

 

I am terrified. They’re coming to get me. The Skundig. When I was young, my parents used to play this song by the Stranglers over and over. It is my bible. It is my saviour. I wrote down the words. This was before the Internet. As many times as I listened, I couldn’t tell what it was I had to look out for. The best I could come up with was Skundig. Better watch out for the Skundig.

I’m at the train station. I haven’t been able to completely remove myself from society. But they could be anyone. A complete stranger, a most trusted friend. I can’t take the chance. Nobody is safe. People watch me when I have to move among them. I flinch from their gaze. They might be trying to brainwash me, sending signals straight into my head. Vigilance is my only weapon. Vigilance and solitude.

Better watch out for the Skundig.

I haven’t slept properly for two months. I don’t shower. It’s too dangerous. I just wish I had more information! These clues are so cryptic. They obviously steal body parts and organs. I think they sedate you with their minds and then cut off your hands. Do they eat them? Do they make more of themselves? Oh God, now I see them as constructs built out of stolen pieces of their victims!

Brother watch out for the Skundig!

Not enough information. I can’t protect myself. Did that “person” just look at my hands? Measuring me up for her replacements? I can’t tell anyone. I can’t trust anyone. I can’t sleep. How can a person live like this? The answer? A person can’t. The Skundig win. Sometimes it’s tougher to look than to leap. Quickly now, before they control my mind. Here comes the express.

“Wait, stop that man, he’s about to -”

Jump!

Dwarves in Space

The last time I was this excited, Shereen was walking up the aisle towards me on our wedding day. I jest; that was far more exciting, but this is a close second.

Dwarves in Space eBook coverDwarves in Space is now available for purchase on Amazon in paperback or as a Kindle eBook, and on Lulu.com in paperback.

It has been a long road (see my first post on Dwarves in Space) to this point. I have sent the novel to half a dozen publishers and the same number of agents. Each time I would send the excerpt or manuscript off, there would be an 8-12 week wait before I’d hear back, and no useful feedback even then. Rather than spend years sending my manuscript to publisher after publisher, I decided that I would take my destiny in my own hands and give self-publication a shot.

I had no interest in spending thousands of dollars on extensive print runs. The eBook option was an easy choice. Even those people who have iBooks and iPads still buy a lot of their digital books from Amazon. At the moment, I have a 90 day exclusive contract with Amazon. After that, I might extend to the iBookstore and Nook etc.

Anyway, the useful information:

Clicking on the links to Amazon and Lulu.com above will take you to the books on the respective sites. I’ve kept the Kindle price low to offset the price of the paperback. The print-on-demand nature of the paperback means that I don’t really make any money on it, but I don’t really care. I just want to build a market for now.

And how can I go wrong? Who doesn’t want to read a story about a young king and his wizard friend who travel through space in a ship shaped like an eagle? A ship that is crewed by dwarves, elves and barbarians with no idea how to operate an electric can opener, let alone a starship? And how could you possibly pass up a novel containing space battles between this crew and a necromancer flying the skeleton of a dragon? There are even some quite funny bits, if I do say so myself!

Not to mention gods, demons, zombies, holograms, trolls, prophecies, mice and a very famous three-headed dog.

Please enjoy my first novel while I finish off the second.

Dwarves in Space paperback cover

Also, if a novel is too much for  you, you could try one of my short stories, available for sale on AlfieDog Limited.

Both are ridiculously cheap and are available for all eBook readers.

Ted's Souls  be practical

The Case of the Disappearing Sharks

NB: Every fortnight I have my Golden Pen writing group at school write a story to keep them thinking and to practise their skills. I always write one as well, as it keeps me honed and often leads to more writing. Sometimes I write something I try to get published. More often I write something very weird without a proper ending. At this point, I post it here. I enjoyed the concept here but haven’t really written something that is a complete story. Take a gander.

Caroline “Yeti” Feats looked up from her game of Words with Friends and stared at the man standing before her.

“What did you say?” she asked, sure that she’d misheard. He was in his mid-twenties and wore a loose singlet top and board shorts. He also wore an expression of severe worry.

“Gone,” he said. “Every single one.”

Yeti shut off her tablet and stood up. Her eyes narrowed and she felt the beginnings of a headache pressing against her temples.

“It’s not April Fools’ Day, is it?” she mused. “You want me to find twenty-four missing sharks? That just disappeared from their tanks overnight.”

The man nodded. His long hair bobbed over one eye.

“And you didn’t go to the police?” she asked.

“Of course we did,” he said. “They’re on the case, obviously. But they’re looking for a thief, or gang of poachers. And I’m pretty sure they won’t find any. The sharks weren’t stolen. They just disappeared!”

Yeti sighed. Her forehead throbbed. On days like this she wished she’d never opened an ecological detective agency. Obviously, she was going to get all of the nutters. For example:

The case of the ninja starfish.

The mystery of the penguin burglar.

And now The case of the disappearing sharks.

“OK,” she said, opening the Notes app on her iPad. “I’m listening now. You better run me through it again.”

“You’re listening now?” the man said, annoyed. “Oh, all right.

“My name is Chad. Chad Morgan – no bloody relation. I am one of the keepers at the Melbourne Aquarium.  We have… we had one of the best collections of sharks in Australia. And then, this morning I came into work and went to feed the exhibits. And they were all gone.”

“All of the fish?” Yeti asked.

“No, and that’s the weird thing. Every other fish, whale, eel and turtle was accounted for. The only things missing were the sharks. The Great Whites, the Tigers, the Leopard sharks. The Dogsharks and Catsharks. I thought that the rays might be gone too, but it’s only the selachii subdivision that have gone.”

He was talking about the branches of the different families of the elasmobranchii – the family that contained sharks and rays. There was a family split, sometime in the Jurassic period, and the rays and the sharks evolved separately. And thus, in the present day, the sharks disappeared and the rays were spared.

“Was it just you?” Caroline wondered, pulling up her browser and typing ‘shark disappearances’ into the search bar. “Holy mother of – no. Not just you.”

She turned the iPad towards Chad and he whistled. The search had returned innumerable results – all breaking news articles – regarding the world-wide disappearance of various species of sharks. Unlike Australia, where the disappearances had happened overnight, in a large part of the world, the sharks had disappeared in broad daylight. Apparently, at precisely 4am in Melbourne, being 11am in Los Angeles, and 8pm in Paris, every shark on the face of the globe just vanished.

disappearing-shark“I had my camera out,” read one witness statement, at Shark World in LA, “and was trying to move into a position to minimise the reflective glare, and then there was a shark-shaped hole in the water, which exploded in a rush of bubbles. It made a fantastic picture!”

Similar stories came out of aquariums and sea parks around the globe.  In thousands of bubbly explosions, sharks in captivity in every country simply disappeared.

“I’m pretty sure this is bigger than me,” Yeti said. “And bigger than everybody, really. And- wait.”

Quickly, she scrolled down the page of search results with impatient flicks, scanning the headings for one important piece of information, conspicuous in its absence.

“Ha,” she said. “I don’t think I could take this job, even if I did know where to start looking.”

Chad raised an eyebrow at her. It was lost under long, bleached, shaggy hair.

“There is not a single report here of sharks disappearing in the wild,” she explained, scrolling up and down the list. “This isn’t a planetwide abduction. It’s not an ecological disaster. I’m pretty sure it’s a jailbreak.”

“Wha-huh?” said Chad.

“Let me speculate,” Yeti said, standing up and wandering over to the window. She looked out at the ocean and shook her head. “Sharks have been around for 65 million years, not evolving much over that time. They have had a nice niche in the food chain, and they’ve been content in that place. Until now. Now, humans are starting to become a threat. We’re fishing them to extinction, along with a number of other marine life forms. They’re no longer at the top of the food chain. And they’ve had to do something about it.”

“Like what?” said the ever-obliging Chad.

“Let’s say every species has a certain amount of evolution in them. We’ve evolved dramatically from the hairless, edge-of-the-sea apes we started as. Sharks haven’t changed much at all. So they have a great store of evolution available.”

“I’m pretty sure that’s not how it works,” Chad said, beautiful brow wrinkling.

“Shush. Anyway, with the threat of humanity upon them, and their current forms no longer sufficient to keep them safe as a species, the selachii family have had a growth spurt. Somehow, they’ve evolved into a species that can transport. And they can probably communicate through telepathy.” Yeti pondered. Her headache was gone as the situation became clear. Chad was staring at her with a certain amount of nervousness. She ignored him. “So, suddenly able to travel over great distances instantly, and connected to their brothers and sisters in the wild, the sharks concoct a plan to free every shark in captivity at the same time!”

“You’re a loony,” Chad said, and turned to leave.

“I’m a genius!” she shouted at him as he hurried out the door. She turned back to the window.  “Of course, the thing to ponder now is, once the sharks have escaped, what will they do with their new-found skills?”

She looked out the window at the sea that she had loved since childhood.

“Of course,” she said, shaking her head and returning to her tablet. “It could always have been aliens.”

Imagination and the post-y generation

tripodLast night we went to see Tripod: Men of Substance. It was a vaguely depressing show, as the boys (men, now) addressed turning 40 and sixteen years of performing. Shereen thought it was hilarious. I looked at us, 16 years ago, drinking at the Prince Pat and watching Tripod doing Open Slather. Each of them had their own coloured shirts. It was fresh and funny and we’d drink too much and stagger home afterwards.

This show started at 8.45 and we were home by midnight. Sad sad sad.

I’ve always liked Tripod. They write for my generation and my type of person. There are references to Dungeons and Dragons, Star Wars and Commodore 64s. One of their songs last night was called “Waiting for the Game to Load” after putting the tape in, typing load and pressing play. Ah, the memories.

People magazine

Builders had good taste

At one stage they commented on having to go to the tip to get porn. When I was a pre-teen living in Kyabram, we used to hunt down building sites. There we would find the builders’ stash of People (tame) and Picture (less tame) magazines. I had no idea that there was anything stronger available until  high school and my introduction to working life as a paper boy. With 20 boys and 1 adult supervisor, suddenly we had illicit access to a whole new class of porn –Penthouse and Playboy at the tame end, Hustler and other plastic-baggers catering to whatever your particular fetish was at the other end.

But still, getting access to it required a bit of effort and some ingenuity. And of course, you had to outsmart your parents in the hiding. A regular rotation shift of location and the occasional emergency ditching to a friend seemed to work.

Now of course, the Internet has killed all creativity in that area. I teach a Cyber Safety unit at school. When I talk to the students about safe and unsafe uses of the Internet, I almost always have to take notes, as they list off incredibly thorough listings of sites with free access. Of course, they don’t tell me that these are porn sites. I ask them for popular web sites and they will say something like “Oh, I’m always on RedTube, sir, do you know it?” and then watch my expression closely. I have mastered the blank expression, but often I don’t need it. These students know more about free porn than I ever will (holding out wedding ring).

I got really side-tracked here from where I was going in this post. What was I going to say?

Oh yes, imagination.

Tripod’s other little gem was that boredom is the catalyst for imagination. My brother and I never got up in the morning thinking that today was the day that I would almost cut off his thumb. We would eat breakfast, sit around a bit, and then say “OK. I’m bored. What do you want to do?” And one of us would remember that there was a hatchet in the back shed, and a stack of wood that could be cut up. And of course, Justin would have to hold the wood still. And then there was the hospital trip and another experience arising out of boredom and imagination.

I’m not saying it right.

We would sit around, nothing better to do. And then Justin would point out that we could jump off the roof, onto the trampoline, and from there to the cushions and mattresses from the caravan. Mostly, he was right.

This is why I’m not in sales.

OK, last try. Dad would bring home a video camera. It was a massive thing, with a shoulder strap to hold the player, attached by a cord to the camera itself. We would spend hours creating film. We figured out how to do stop motion and would drive chairs around the backyard. We realized that if the camera was on a tripod (not a Tripod) we could do special effects, turning Elise into Dad and making people disappear. We would do David Attenborough specials through the wilderness of our backyard, and rope in our friends to create advertisements for made up soap and pet food. We let our imaginations run wild and rarely came back to earth.

bored is good

bored is good

I’m not even sure that teenagers today would get Calvin and Hobbes. “Is he playing some sort of a computer game?” “Is it something like Inception?”

Of course, there are still the precious few – those children and young adults who can live inside their minds and find the hidden worlds that exist all around the bored and the inquisitive. And imagination exhibits in other ways. The special effects that abound in today’s movies are incredible. And someone had to imagine that. Computer games are pushing the boundaries between interaction and storytelling, to great effect. Only two percent of novels are published, which means that for every novel on the bookshelves, there are … um, more (199?) that have been written, but not published, which is an amazing output of imagination. Imagination isn’t dead.

But:

Kids who spend all of their time playing Clash of Clans. Kids who don’t know the meaning of boredom due to being given iPods at the age of four. Parents who turn on the tv or the computer or the console whenever a child says “I’m bored.”

These people are giving imagination a damn good thrashing. I’m sure our creativity is diminishing as a species. And what does that mean for humanity as a whole?

It’s the dreamers, the bored and the curious who have gotten us to where we are today. If nobody is allowed to be bored, they won’t dream, they won’t have a need to ask “What will happen if I mix these two…” BOOM.

And may the gods help us then.

PS. A side not that I couldn’t fit in anywhere else: Film studios need to get past remaking films from other countries and other decades, or adapting nostalgic television into nauseating and forgettable cinema.

PPS. Today was the bored. Next week will be the dreamers. Does that mean I now have to write a curious blog post about skinning cats?

PPS. Finding Damo word count tomorrow. I’m also writing a new one-act play.

 

Bad Hobbit

This isn’t a movie review blog. I don’t want to make a habit of this. But I really feel the need to unburden myself after living in delighted expectation of “the movie event of the year” (as if there’s ever only one) and then having to sit through three hours of absolute tripe as my hopes died, torn apart by  my ravaging frustration at a talented director getting it OH SO WRONG!

bilbo_640x960But anyway.

I’ll start with the general stuff, and then anyone who doesn’t want spoilers can depart and come back after they’ve read the book or seen the movie or both. No, actually, if you haven’t read the book, leave now. Spoilers abound. For those that have, I’ll try and avoid spoiling the movie for the first bit.

Peter Jackson has proven that he’s a good director. Heavenly Creatures  was a marvellous movie that linked fantasy and reality in a feast of visual and imaginative delight. Dead/Alive  was gory and funny and very well written. And King Kong  . . .

Ah, there’s the problem. I think Tripod  said it best when they sang “Get to the f***ing monkey!”

But even so. He has a great concept of space and the epic. He knows how to elicit emotions from his actors and the audience. His pacing is always good (except maybe for King Kong) and there is no way that he should have been able to screw up The Hobbit.

Jackson’s Hobbit, how did I hate thee? Let me count the ways.

Bringing back the old cast

I think I read an interview with Jackson, where he was overjoyed at being able to work with “all the old gang” again, and I winced. And then we saw trailers of the movie with Galadriel, and I thought “well, ok, it’s a stretch, but it might have happened”. And the cast list included Elijah Wood and I decided that a little introduction at the start might be deemed necessary for the uneducated masses who didn’t know that the movies were also books and needed some linking. Which is what they did. And it was terrible, and boring, and didn’t add anything to the movie, but there you go. As I said, maybe the studio demanded it.

And once that bit was out of the way and the story started properly, I was quite happy with Gandalf and Bilbo and a stack of dwarves. And they sang the songs, and I relaxed, because I had hoped that the songs would be a big part of the movie. And if they changed a couple of story points, then that wasn’t too bad, but I was starting to be a little nervous.

Unable to put together a realistic backdrop

Let me back up a bit, because you know that that’s what I do.

When the old Bilbo (from LOTR) is sitting there writing his little book, and Frodo wandered in and made some twee comments, all I could think was “This looks fake!” I was wondering whether it was because we were watching the movie in 48 fps, in 3D. Everything looked like it was on a sound stage. The hobbit hole was too clean and incredibly fake. Frodo looked like he was lit badly and in front of a green-screen half of the time. Any time there was footage of people talking to each other, in caves or houses or on rocky outcrops, my mind was screaming “Made-for-tv movie! Made-for-tv movie!” And so, as my first confession: it could be that the combination of a high frame rate and 3D technology killed the movie for me. And if that’s so- no, there’s no excuse. Jackson chose to use these technologies and probably saw rushes and dailies and test screenings and all sorts of other footage. There is no way he could have watched this movie and thought “yeah, that looks real.” I was never really in the action. Never allowed to let myself believe I was in Middle Earth. And that killed the movie for me.

They were filming in New Zealand for Bob’s sake! A land full of rocky landings and lovely caves. Natural backdrops and fantasy settings. Why did everything look like it was made out of Styrofoam?

Turning a PG movie into an M movie

As I’ve mentioned before, I’ve been reading The Hobbit to my 8yo daughter. My niece has been reading it. They’ve both loved it from start to finish. I read it myself when I was in Grade 2. These kids should be able to go and see a movie based on a book written for children.

Every sequence that I found unacceptable for younger audiences was one pasted into the storyline by Jackson and had nothing to do with the book. Which leads me to:

Making shit up

Oh, I hate swearing in a blog, but I am so angry right now! Oh, and this is where I’ll probably make some comments on stuff that happened in the movie, so if you want to remain completely spoiler free, run away now.

At some point, it came out that Jackson was making the two movies into three, using “unreleased source material and indexes” and everybody sighed. I thought it would be tacked onto the end, maybe as part of the Battle of the Five Armies (seriously, if you haven’t even read the book, you don’t want to be here right now).

Firstly, there was a massive battle between the dwarves and the orcs – again, giving the movie context in the greater world of Middle Earth. It was bloody and violent and introduced a giant white orc.

Without saying too much more, I’ll say that that orc became the bane of my existence on and off for the next three hours.

What I didn’t know and didn’t care about was that Jackson has incorporated information and story from The Rise of the Dark (the story of Sauron) as well as the backstory of the dwarves. There’s also a lot of backstory for characters from LoTR, and a good chunk of White Council as well, for good measure.

And I get it. Jackson is trying to link The Hobbit to the LoTR trilogy, making a much greater world out of a lot of different source material.

But that isn’t The Hobbit. That story is light-hearted and small. A story of friendships and adventure. A children’s story with a wider appeal.

Changes in tone

Throughout the movie, the tone changes with no apparent reason. There is an amusing run through the goblin tunnels, completely at odds with the seriousness of the situation. There is a completely ridiculous scene involving the knees of a stone giant. There is an unscripted battle scene when the wargs and goblins have the party trapped up a tree. There is not nearly enough singing. The elves are way too serious. It doesn’t look like there will be any speaking eagles. . . I need to stop now.

Seriously, screw the backstory, screw the appendices and the rise of Sauron. Let me have The Hobbit. Let me have my childhood. Peter Jackson, get your grubby fingers out of Middle Earth.

PS I liked Tintin.

Another perspective:

http://io9.com/5968455/the-hobbit-is-a-lot-better-once-you-realize-its-a-war-movie

Must. Read.

asleepLast night, I did something I never thought I would ever do: I asked my step-daughter to put the book down and go to sleep already!

Now, before you lynch me or put me in the same category of book burners and fundamentalist christians, let me explain.

She’s 8. Her bedtime is 8.30. She loves to read. And her imagination doesn’t have an off-switch. So if we let her read until she’s tired, she’ll still be reading at midnight. And then we have to deal with the consequences. So when I saw the light shining from  under the door (again) at 10pm, I had to do the unthinkable.

Normally, I’d be quite happy for her to read all night. Let the stories invade her mind and set fire to her imagination. She is a voracious reader and, at 8 years old, she’s reading well beyond her years. She had to beg us to let her read the second Harry Potter book, and I think we’ll probably relent on the third book as well before she hits ten.

But her mum and I just can’t handle the almost-teenager-like reading hangover that results from a late night. So we have to limit her, like a crack addict, to small doses per night.

Her reading list at the moment:

1. Bridge To Terabithia – I’m reading this to her. I don’t think you ever get too old to have someone read to you, and it helps me bone up on my American accents.

2. The Hobbit – I started reading this to her, but she started making very clever “guesses” about what was going to happen next, and I found that she’d read the whole thing over a couple of nights of subversive torchlight reading.

3. Harry Potter and the Chamber of Secrets. She quotes from Philosopher’s Stone all of the time, so it was only a matter of time.

4. Brer Rabbit Tales by Enid Blyton. She read 15 Secret Seven books in two weeks and was re-reading the Faraway Tree, so I figured she was up for something new.

On top of these, she still reads the grade-two level readers her school gives her, which I agree with educationally (I was able to teach her how to read comics properly, for example) but wish that the school could challenge her a bit with reading.

We were pretty dismissive when we gave her Esio Trot to read and she returned to me in an hour saying it was great and could she have another one. Almost half-heartedly, I’d ask her a question about what happened in the book. She answered promptly. Surprised, I tried something a little more analytical. She had it down pat. From then, I’ve just watched in amazement as she worked her way through dozens of books over the past couple of years, making incredible comments on genre and comparisons to other books. My year 10s can’t do it, that’s for sure.

But I didn’t start this to rave about my step-daughter, who you don’t know and doesn’t enter into Finding Damo in the slightest. I was going to use it as an introductory stepping stone and got carried away.

So… Hop! Next stone.

I used to read in bed as a child. I utilised the torch for my own illicit reading. But I was often found, fast asleep with a book on my face. I’m pretty sure it still happens sometimes.

This is the version I read and still own.

I read The Hobbit in Grade 3. I read the Wizard of Earthsea in Grade 2 – Mum was studying it for school and we were travelling through Queensland and it was there so I read it.

I read Bridge to Terabithia in Grade 5 or 6 – the teacher was giving me and a couple of others books to challenge us as the regular reading was way below us. In primary school I found Encyclopedia Brown, The Three Investigaters, Biggles, Blyton, Asterix and Tintin. As I got older, I devoured all of the Doctor Who novelisations, Judy Blume (Forever was an experience, I can tell you!), Victor Kelleher and Douglas Adams.

Scarily enough, I didn’t discover Terry Pratchet until university. Dave and I had been introduced to a MUD (multi-user dungeon) on the Internet, and we were having problems with some of the quests. “Oh,” said a helpful player, “that one’s straight from the books.”

“There are books?” I asked, to the general hilarity of the online world. Soon after, Dave and I were annoying the crap out of a busload of people as we read Reaper Man and Small Gods on the way to Queensland. And now I’m on the organising committee for Nullus Anxietas IV.

There are a few novels that completely changed my life.

The first, I just finished again, this time on audio. 47 hours of unexpurgated Stephen King. The Stand. A work of genius that draws me in, over and over. I think I’ve read it at least once every two years since it was published. And yes, the re-release was better.

IT, I’ll lump in with The Stand. It is King’s mind at work. But these two, above all of the others, make me come back and read them for the sheer depth of the worlds he created. I also read Christine and Pet Sematary on a regular basis.

Ben Elton’s Stark was the first book I’d read that didn’t have a happy ending. It shocked me, but also opened me to the possibilities. It was incredibly well written, great characters and then… what the hell?

Tad Williams’ Otherland series blew me away. It’s slow going in places, but again, the story had a scope that I hadn’t seen in a novel or series for a long time. That one’s due to my aunty Joan, who put me onto them.

Robert Jordan’s Wheel of Time gave me a new insight into magic. It was a world that touched on hundreds of different mythologies and wove them into an incredibly complex world. And then Jordan wrote books 7-10 (which were unnecessary). And then he died. Brandon Sanderson has revitalised the series, and I’m really looking forward to the last book.

Clive Barker was another writer who pushed boundary after boundary. Imajica redefined horror and fantasy for me. He wrote about things that I would never have the courage to write about under my own name.  He’s not for the weak hearted, but he is an incredibly good writer.

I could go on. I might. But as a youngster, these books changed the way I looked at the world. I still like to get back to them on occasion to revisit writing that makes everyone else look bad. Don’t attack me for the people I’ve left out. I could add at least 20 more books that have also changed my life, but this was meant to be an off-the-top-of-my-head account and these are the ones that came to mind.

Oh, by the way: I’ve written ten more pages of Finding Damo. Word count to come when I’m home.

Dwarves in Space.

I’m in the study of my new house, looking out at a magnificent garden and wondering why I’m not outside. At the moment, all that is stopping me is the deadline of sending my novel out to be published. And all that is stopping me there is the lack of a title.

For years, I have been calling it Dwarves in Space. And then a few people commented that it was a ridiculous title. So I changed it to “Don’t stop the world, I want to get back on.” which was very indicative of the story, but was, in the words of my friend and mentor, Danny Galvin, “a pun on a book from before you were born. Nobody will get it.”

After an incredibly long brainstorming session at Mum’s place, we ended up with the title Starstruck. Boring, but catchy. Not too punny. The problem is, you’d have to read it to get it.

And so, when I started farming it out to editors, I changed it back to Dwarves in Space!

And then I had Geoff Brown go over it – he did a great job of picking out the worst grammatical flaws and story faults, but didn’t notice that even though the Eagle was lying on the side of Mount Olympus, it was also flying King Roland back to the city for the end scene.

Oops. Minor spoilers.

My favourite quote from him was as follows: “I think the title leaves a lot to be desired, and doesn’t show the true richness of the story.”

So I’ve been madly trying to find a name that does show the true richness of the story.

Feel free to help. Here’s my brainstorm: https://bubbl.us/?h=14817/21f3cb/83C1g3DlojTJw

I’m trying to find a title that is epic, that links fantasy – with its elves, wizards, dwarves and magic – to spaceships and starcharts. It’s a comedy, so I’d hope the title demonstrated that somehow.

Not much to ask for, you must admit!

If nothing comes to me, I’ll have to hope that Penguin’s promise that “All manuscripts are carefully read and assessed,” is true, and they read it on its merit and maybe suggest something better. Who can tell?

I’m telling you, this has been an epic journey just in the writing. Let me tell you a story…

Many MANY years ago, I decided to go to a psychic. She was incredibly good at teasing out details and surprised me with a number of predictions that she couldn’t have known about. She is the reason why I didn’t get my motorcycle license. She also told me that I’d write a novel “something to do with the wizard necklace you are wearing” and get it  published. I’d been thinking of a novel about wizards and dwarves on a spaceship, and the havoc that would ensue as they tried to learn how to fly the ship. I got home and started writing.

The next phase of this story takes place in Japan. I was dating a girl named Kallie, who was a great reason not to be at home. I left early each morning and went to a cafe. I drank coffee, smoke cigarettes and wrote for four hours a day. In the ten months I lived in Japan, I knocked off ninety-five percent of the novel. And I was very happy with it.

 

And then I started reading books on publishing, and the first thing they said was “you won’t get published without having some short stories published first.”

And I met Sara Douglass. Well, I re-met her. She was my History lecturer at university, and she was an incredible writer and an incredible lecturer – full of life and humour. And I don’t want to speak ill of the dead, but her advice to me was “You will never sell anything that’s a mish-mash of so many genres.” That put me right off.

So we fast-forward ten years. I’ve had a few short stories published, I’m well into my next novel, and I’m ready to go on … ahem… Dwarves in Space!

Pippa has been invaluable in this part, going through the manuscript with a fine tooth comb, telling me over and over to work on my female characters, and pointing out grammatical errors that make me ashamed to say that I teach English for a living.

And I’m sure that much of the reason that I haven’t tried to have it published before now is, I am deathly afraid that after spending more than a decade with my baby, it will be rejected. But that’s not enough of a reason any more. OK. Here we go people. I’m pressing the send button!

Super!

I had a phenomenally deep, completely insightful blog half-written on Wednesday, before my brain melted into a sludge and left me drooling on the keyboard. When I went back to it, there was nowhere to go and no end in sight. So I’ve shelved it.

Why? Why is our heroic blogger unable to blather on about nothing for pages this week? Surely he hasn’t “lost it”!

Gods. I hope not. No, today is eight days before the first audience for my production Super! and nine days before the official showing. That’s right. One night only! Don’t get me started. Well, don’t get me started yet.

So my focus is on the show, rather than Finding Damo. And yet, here I am, taking the time to keep you all informed. Do you feel privileged?

Right, so there are two brothers, Zack and Joss. They are dropped off for their first day of school and, after travelling through the secret tunnel and pulling the nose on the statue, arrive, ready to learn. And they’re met by Igor, who welcomes them to Super Hero High School.

That’s right. Their parents have sent them to a high school for super heroes.

Health and Safety is a MUST!

Students come to the school in the hopes that they can join the elite force of country-saving super heroes – the equivalent of a nuclear stockpile in global politics. Zapped with radiation within their first few days, they are tested for powers and then trained for the rest of their school life to be the most effective heroes they can be.

School being what it is, there are always cliques. In a Super powered school, the main factions are the Heroes – dedicated to law, order and mall appearances, and Villains – bent on world domination, but with the best intentions of course. The majority, however, aren’t super powered. They are the Norms: the downtrodden majority. The elite of these can be utilised as henchmen or sidekicks (or lackeys for Igor, who runs the Henchmen and Sidekicks Union). But mostly they clean the floors and are pushed around, running errands at the whim of the Supers.

When Zack and Joss both manifest and choose opposite factions, and the Norms Jeff and Ted are bullied one too many times, Super Powers High School becomes a much more interesting place to be.

I wrote the play while travelling around Europe. Long train journeys, an iPad and Bluetooth keyboard made for a fantastic writing environment. I wrote it with a certain cast in mind, and I even got a couple of them. It’s definitely written for a high school cast. It’s also written for Shereen, Pippa and Dave, who are almost my entire audience when I write stuff in my head. Lots of Whedon references – some subtle, some a complete rip off. They wouldn’t let me do Dr. Horrible, so I did it anyway, but with a bigger cast and less girl.

OK. Six minutes before I have to go and do some work. I would suggest, that if you live in Melbourne and have nothing better to do on the 12th September, come and see it! St James College, East Bentleigh. No bookings, $5 entry. Great music from Smashmouth, Voltaire, the Living End, Michael Buble, Oasis, the Dollyrots and Oingo Boingo.

And for those wondering if I’ve added to Finding Damo – the novel, remember: melted brain, screaming Year 7 students, grumpy teenagers and the need to create a Human Fly costume in the next couple of days.

That would be a no. I promise, after the 12th, I will write 2000 words before my birthday.

PS: My stories are still selling well on Alfie Dog. If you want one for whatever device on which you read eBooks, go to the website! I’d love it if you let me know what you thought, good or bad. And tell them you want more werewolf stories, because I really want to sell them Shoot for the Moon.

Just a quick one

A little success story: my stories are among the top five sellers on Alfie Dog. If you haven’t bought one yet, apparently, they are quite enjoyable.

You can find me from the main page at the moment under the heading “Top Five Sellers”

Sorry, I’m quite excited by this.

http://alfiedog.com/

New blog soon.

Death Watch – short story interlude.

NB: This is based on a podcast involving Ricky Gervais and Karl Pilkington. Karl invented a watch that would tell you when you would die (the how of this was never really explored). I loved the idea. This isn’t for publication, but I’m hoping you’ll enjoy this.

2nd NB: I promised that I would start writing a word count for Finding Damo – the novel. I am currently on 8,827 words. Next blog should take me over 9k!

The story:

It was with a certain understandable resignation that Gordon pulled himself out of bed on the morning of his death. It was, he decided, not a good day to die. His head throbbed (aneurism?), his teeth felt as though he’d brushed his teeth with a hamster (poisoning?) and his stomach was roiling uncomfortably (oh gods no, not botulism!). He swung his legs off the bed and sat with his elbows on his knees and his hands over his face, trying to raise the willpower to stand up.

Just under ten hours. He stared blearily at the Pilkington on his wrist. Numbers counted down merrily, mocking him with every cheerful flicker.

9:45.56
9:45.55
9:45.54… 53… 52…

‘Rmph,’ Gordon said. Just under ten hours, and he was wasting time feeling sorry for himself. He had places to be.

After showering and brushing his teeth, Gordon felt better about the day. Not good, but better. His Pilkington Deathwatch had been warning him for weeks that today was the day, so he’d had plenty of time to prepare. His affairs were in order. His lawyer had his will. He’d told everybody he loved that he loved them (it was a depressingly short list). He’d sold his house and with the proceeds, bought himself a first class flight to Sydney to spend the last hours of his life with a girl whose online dating profile said she ‘wanted to hold a man while he died in her arms’. It seemed as good a way to go as any, unless he really did have botulism. But it was unlikely. He felt fine.

Actually, physically, he felt fantastic. There was no dizziness. No more headache. No unexplained aches or twitches. His pulse was within normal parameters. He left his hotel room for the last time in fine form, hopped into the waiting taxi and stared at his life ticking away as the vehicle whipped through the traffic to the airport (horrible car crash? No, too early).

8:23.23… 22… 21…

The taxi driver glanced at him and grunted sympathetically.

‘Last day?’ he asked. Gordon nodded. ‘I always wanted one of those. You know, way I drive? They just too damn expensive. Have you got long? I slow down?’

‘Eight hours and change,’ Gordon said. ‘I assume that means we’re safe.’

‘True. Of course, you maybe only badly hurt, and die later on of complications.’ Gordon heartily wished the driver hadn’t brought up that possibility.

‘Maybe you should slow down a bit then,’ he said. The driver obliged, but soon was back up to his regular breakneck speed, dodging into gaps that really weren’t big enough to fit a cab.

They reached the airport in record time, arriving at the drop off area just as the Pilkington hit eight hours. Gordon’s pulse was definitely over the recommended limits by now and the tip he gave the driver was more thanks for getting him there alive than for the quality of the service.

He had two hours until his flight. With one hour in the air and one hour in the taxi at the other end, that left him four hours with which to spend with the compassionate Carol and her loving arms. He took his time going through security and was escorted to the First Class lounge where he was given a glass of wine and a bowl of peanuts (late onset anaphylaxis?). He picked up a magazine from the pile in front of him and settled back to wait.

Forty-five minutes later (7:02.43… 42…) there was a ping from the departures board and all of the numbers shuffled around. Gordon lowered his magazine and watched with growing dismay as large red letters appeared on the screen next to his flight number.

DELAYED.

No need to stress, he thought. Delayed could be just half an hour. Maybe an hour. Even two would be ok, if Carol was less than worried about the niceties. There was no modified time of departure. He tried to get interested in the article in front of him – something about salt-mining – but his eye was repeatedly drawn to the departures board and that crimson statement:

DELAYED.

Finally, realising he wasn’t going to be able to relax, he stood up and went over to an obliging host.

‘Do you have any idea what’s happening with the plane to Sydney?’ Gordon asked. The host smiled broadly, for no apparent reason.

‘Let me see what I can find out for you, sir!’ He tapped at a computer. His smile faltered somewhat. He picked up a radio, turned his back on me and mumbled into the receiver. I could see the tension forming in his neck as he talked. I almost sympathised. Airline passengers are a cranky lot at the best of times. Having to deal with First Class airline passengers when something goes wrong would be a challenging job in anyone’s view.

And then the Pilkington caught his eye.

6:46.34… 33… 32…

and all sympathy evaporated. He watched the host take a deep breath and turn around, smile fixed firmly on his face.

‘Well, sir…’ he began, but Gordon was having none of it. He shoved his watch in the host’s face.

‘Do you see this? This is my life, slowly ticking away. I have spent an absolute fortune to ensure that I am in the lap of luxury in well under three hours. Her name is Carol. What’s going on?’

‘I am sorry, sir. Honestly I am. There is a fault with the plane. There is no way we will be able to get you to Sydney before. Well, you know.’

‘Are there any other flights? This isn’t an optional experience here. I have been planning this for weeks!’

‘I’m afraid not, sir. The football finals mean that all flights from Melbourne to Sydney are completely booked out. However,’ he added, rustling beneath the desk, ‘given the timely nature of your, er, imminent passing, this might interest you.’ He handed Gordon a brochure, blushing slightly as he did so. Gordon took the brochure, curious in spite of himself.

Join the MILE HIGH club.

‘Die up High,’ Gordon read. ‘This better have something to do with drugs, because if you’re suggesting I spend the last moments of my life in a damn aeroplane, I shall slap you with this brochure.’

‘Some people think it’s a novel experience,’ protested the host, backing away from the counter slightly.

‘You certainly can only do it once,’ Gordon said. ‘So you’re telling me, there’s absolutely no way that I can get to Sydney this afternoon?’

‘I’m afraid not,’ said the host.

‘And I don’t suppose you’ll refund my ticket?’

‘I, ah, well, it says quite specifically in the Terms and Conditions…’ The man was perspiring now. He was dealing with a man with nothing to lose, and Gordon was sure he was cursing whoever added the ‘foreknowledge of death’ clause to the standard terms of the flight booking.

‘Of course it does. Oh settle down. I have no intention of leaping the counter and making you eat this brochure,’ Gordon snapped.

6:43.12… 11… 10…

Yet, he thought.

What to do, he wondered, going back to his seat. He looked up at the host, who was now dealing with another irate would-be-flyer. He could, he supposed, go on a rampage and take as many people with him as he could (death by police shooting while force-feeding pamphlets to a sweating airport worker? Implausible at best). He could take up the airline on their Mile High experience, dying above the clouds in first class. Or he could just go home and die alone, to be found – oh no, wait. He had no home. He didn’t even have a hotel room any more. He looked at the watch with sudden fury.

‘It’s all your fault!’ he hissed at the inanimate object. ‘I didn’t need to know when I would die! Without you, I would be at work, massaging random strangers, and I’d just drop dead of – well, whatever, when the time came. Face-plant into a warm nest of sweaty, pliant, naked rich person. What a way to go.’ Given that alternative, he was happier to be in a First Class lounge at a top notch airport, even if he was going to miss out on Carol. He turned to pick up his glass of wine and almost eskimo-kissed the red-faced man whose face was only millimetres away from his own and who was now staring into his eyes with an expression that could best be described as ‘frantic’.

‘Are you dying today?’ asked the man. His breath was more alcohol than carbon dioxide, and Gordon placed a hand firmly on his chest and pushed him away. Unfortunately, this was Gordon’s watch arm, and the man grabbed his wrist and squinted at the Pilkington. ‘Aha!’

‘What? Why? Let go!’ Gordon said, pulling his hand back. ‘Everybody is more than unusually interested in my death today!’

‘Ah, but it’s not jusht yourrr death, y’see?’ the man said in a drunken slur. ‘Look’t this.’ He held out his arm, displaying his own Pilkington. Gordon read the screen on the device, somewhat unwillingly.

6:42.33… 32… 31.

Surprised, he brought his own Pilkington up beside his accoster’s.

His:

6:42.38…37…36

The drunken man’s:

6:42.25…24…23

‘Well, that’s a coincidence!’ Gordon said with forced brightness. To be honest, the whole concept of dying was starting to be more trouble than it was worth.

‘Co-IN-shidensh?’ the man shouted, drawing looks from around the lounge. ‘Thish is no co-IN-shidensh!’ He was waving his arms around and overbalanced, falling into Gordon and knocking both of their glasses onto the ground. Gordon jumped to his feet.

‘Right. I’m getting out of here!’ he said, and walked up to the counter. ‘If I can’t die in the arms of poor sweet Carol, I may as well try and find someone closer to home.’ A hand clutched his arm. Not again, he thought. The woman next to him was deathly pale, her breathing shallow.

‘Did you say die?’ she said in a high, frightened voice. Sighing, Gordon held up his Pilkington. The woman glanced at it, looked back at his face, and then shrieked and grabbed his wrist. She held up her own. Another Pilkington, of course.

Hers:

6:40.58

His:

6:40.55

Gordon frowned. He gestured at the by now very flustered host.

‘Exactly when are we expected to fly into Sydney?’ Gordon asked, pretty sure he knew the answer.

‘Um,’ said the man, looking at the big company-logo clock on the wall. ‘I would say, if the new schedule is correct, you would land in just under seven hours.’ (fiery explosion due to malfunctioning plane. Ding!) The woman who would share his fate slumped to the floor, her eyes rolled back. The drunk man, listening in from behind, vomited into his wine glass. Gordon sighed once more and turned to the people waiting in the airport lounge.

‘Apparently,’ he said, ‘the flight to Sydney will be met by some calamity involving the death of myself, this gentlemen behind me and the reclining woman below.’ He held up his Pilkington. ‘I’m not sure about the rest of you, but I fully intend to find another way to spend my last hours. I recommend you do the same.’

The first class lounge host was on the phone, yelling into the receiver for security. Gordon picked up his bag and left the first class lounge, dodging panicked rich people as they stampeded for the exit. He looked at his Pilkington. It now read:

21y, 2m, 21d 18:23.12… 11… 10…

(heart attack? Oh, who cares?)

‘Interesting,’ he mused, as the security guards rushed past him and into the lounge. ‘Very interesting.’ He slipped the watch off his wrist and into his pocket and then pulled out his mobile phone. He texted Carol, letting her know he wouldn’t make their date this afternoon, but that if she ever made it to Melbourne, he’d love to catch up. He really didn’t expect a response.

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